MANIMEGALAI is an Epic that encompasses within itself
many aspects of human life. It is a work that needs no bigger introduction. The
title itself speaks volumes of literary merits. Every language has its own
beauty. In Tamil literature, the Sangam age is considered or termed as GOLDEN PERIOD
which in itself holds a treasure trove of writings.
One such magnum opus of that period of time is
MANIMEGALAI. The Tamil language is at its best in every form ranging from style
(Eliya nadai) Grammar (Ilakkanam) to thematic narration (Karutthaazham) in this
Epic. The message for the human race is abundant and this stands as a testimony
for the same. For a fulfilled life, art for
life’s sake is necessary and it is clearly depicted in this Epic. There are
many art forms, but universal and ancient is Music. Music is a melodious and a
sweet sound, but not of harsh noise. Music is entitled to relax humans and
energise them mentally. It brings the positive energy there by helps the humans
to sustain the pressure of the life. Music is an art form whose medium is
sound. Common elements of music are pitch (which governs melody and harmony),
rhythm (and its associated concepts tempo, meter, and articulation), dynamics,
and the sonic qualities of timbre and texture.
In India, music has always remained as a principle
means of entertainment. Music is considered to be the queen of all arts and is
perceived as a harbinger of peace and tranquility. Music of India is one of the
oldest unbroken musical traditions in the world. It is said that the origin of
this system go back to the Vedas (ancient scripts of the Hindus) and it traces
its origin to the very first sound created on the earth. The CHANTS OF VEDAS
followed this foremost creation of sound and are believed to be the first music
of India.
The earliest written reference of Indian music is
found in the great scholar and sage BHARATA’S illustrious book NATYA SHASTRA, a
landmark in the written history of fine arts including music. The history of
Indian music can be trace back to many centuries. Traditionally, music was a
means of communicating prayers for religious purposes and strictly in praise of
God and offered to the Lord Only in Temples. Slokas& Bhajans were the
initial roots to the traditional musical form. The practice of singing based on notes was
popular even from the vedic times where the hymns in SAMA VEDA, a sacred text,
were sung as SAMAGANA and not chanted. Music be in any form or style the
ultimate effects are soothing, refreshing & rejuvenating. Listening to
Music has got many benefits and its a healer of many ailments. Importance of
Music and its various forms were put forth in these verses of Manimegalai.
“Vetthiyal
podhuviyal endriru thiratthu
Kootthum
paattum thookkum thunivum
Panni yaazhk
karanamum paadaip paadalum
Thannumaik
karuviyum thaazh theenkuzhalum”
The two major
forms of Music are Vetthiyal and podhuviyal. The former is sung before the King
and the latter is before the general public.
Manimegalai is a poem in 30 cantos written by Koola
vanigan Seetthalaich chaatthanaar about the girl child of Madhavi and Kovalan. Many poems of the classical Sangam literature were
set to music. Poems are always
associated with music because of its rendition style. There
are various references to this ancient musical tradition found in the ancient
Sangam books such as Ettuthokai and Pattupattu. Sangam literature has
five division based on landscapes viz., Kurinji, Marudham, Mullai, Neithal and
Paalai.
These five landscapes are associated with a
particular mood of the poem and to give colour to these moods, each had a
musical mood (pann), a melodic
instrument (yaazh) and a percussion instrument (parai). Manimegalai
comes under the neithal thinai, which dealt with the incidents
around the seashore and the theme of elopement, had the musical mood of sevvazhi, Vilari
yaazh as the musical instrument and the navayapambai for
the percussion.
The origin of sound and music as stated in Manimegalai
:
“kombartth thumbi kuzhalisai kattap
Pongar vandinam
nalliyazh cheyya
Varikkuyil
paada maamayil aadum
Virapoom
pandhar. . . .”
Women in Manimegalai are well trained in presenting
musical compositions on festive occasions using many instruments.
“Pan yaazh narambil pannu murai niruppor
Thannumaik
karuvik kanneri therivor
Kuzhalodu
kantam kolaccheer niruppor
Pazhuniya
paadal palarodu magizhvor” (81-84)
The singing in
the early hours of the day is termed as Marudhap pann, the
evening as Mullaip pann.
“Kandru ninai kural mandru vazhip padara
Yazhor
marudhatthu in narambu ularak
Kovalar mullaik
kuzhanmer kola”
Music has been
used as device to spread messages among the people to create awareness, instill
courage, patriotism, and righteousness. Manimegalai is a musical feast with
numerous features for the benefit of the mankind.
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