Annie Zaidi’s The Come Back has
been receiving praise both online and offline, and I couldn’t help but notice
the many glowing reviews. As someone who mostly leans toward non-fiction, I
usually think twice before picking up a work of fiction. At first, I even
assumed this book might resemble the Madhuri Dixit starrer Aaja Nachle, where
the central theme is about returning to the stage. That initial assumption kept
it lingering on my TBR list for a while.
When I discovered that The Come
Back had made it to the Blogchatter Book List, I finally decided it was time to
read it. I rushed to the library to get a copy, only to find that it had
already been borrowed. To my relief, the librarian assured me it would be
returned by August 20, 2025. That promise felt like a fresh breath of air, and
true to the date, I finally held the book in my hands. Interestingly, in the
waiting period, I ended up reading The Book Seller of Mogga, which was a
delightful interlude.
Coming to The Come Back itself, I
found it to be a deeply layered and evolving narrative. At its core, it is a
story about friendship, loyalty, honesty, integrity, and the quiet yet powerful
theme of secrecy. Zaidi captures how one unintentional mistake can ripple
through two lives, changing the course of both. The novel beautifully explores
the journey of reclaiming not just a lost friendship, but also passion and
purpose.
The book also highlights the
places we belong to and the longing we carry when we are away from them.
Performing arts, especially theatre, take center stage. The role of theatre in
small towns and villages, the messages carried through plays, and the sheer
dedication of artists to their craft are handled with an artistic and sensitive
glance. This layer adds a cultural richness to the novel, grounding it in both
place and performance.
As one reviewer observed, “the
story is ultimately about a return to many things: to old friendships and true
love, to the stage and the authenticity of one’s art, to lost threads of the
past and the warmth of childhood homes. There’s a ‘comeback’ in here that
stings too, and also surprises.” This reflection captures the spirit of the
book and explains why its title feels so fitting.
What stood out most to me was the
way the book portrays society’s tendency to turn away from victims, to overlook
their struggles, and to question their truths. In contrast, the protagonist’s
resilience, passion, and determination form the backbone of the story. The
title itself — The Come Back — resonates strongly, as it is not just about
returning, but about reclaiming dignity, connection, and life.
Zaidi’s storytelling is simple yet
striking, making The Come Back a rewarding read. For someone like me who
usually prefers non-fiction, this book turned out to be a pleasant surprise —
reminding me why fiction too can hold mirrors to life, struggles, and hope.
No comments:
Post a Comment